|COMING JULY 28 2015!
... a comedy of parenting errors in which single father Vance Seagrove wakes up one morning to discover irrefutable proof that his teenage daughter has come of age. Anxious to protect Chloe from the emotional perils of growing up too fast too soon, Vance must confront the sexual hypocrisies of small-town life in Willoughby, Alabama— including his own.
Guiding him on his journey is a cast of strong women: his best friend and former lover, Campbell, whose bisexuality is a source of conflict with both her own overbearing father and ex-husband; his current girlfriend, Sadie, the aspiring Liz Phair-influenced songwriter whose fiery confidence Vance admires and envies; and Deb, the ex-wife whose unexpected reappearance in his daughter’s life sends him spiraling into self-destructive jealousy.
Central to understanding Chloe’s entry into adulthood is yet another iconic female, the Aphrodite of Knidos. As the first nude in Western art, this Greek masterpiece—an alabaster reproduction of which is the centerpiece of the statuary Vance is dedicated to preserving—symbolizes the thin line between objectification and self-possession, between eros and the erotic.
Raising Aphrodite is a funny and poignant exploration of the misadventures of manhood that celebrates the creativity of punk rock, the importance of art in a community, and the beauty of friendship between the sexes.
ACCORDING TO KIRKUS REVIEWS (April 30, 2015)
This comic novel traces the misadventures of a single dad and his teenage daughter as they navigate adolescent and middle-aged angst to the soundtrack of Alabama punk rock.
Vance Seagrove prides himself on being the cool dad. He's raised Chloe since her mother, Deb, moved to New York to act, finishing his Ph.D. in theater with Chloe in a baby swing. For the past 10 years, he's worked as personal assistant to Storm Willoughby, the richest man in town, and now, at his death, Storm has willed Vance a controlling stake in Macon Place, Storm's mansion, the grounds of which are a garden of Greco-Roman statuary. Storm's son, Mike, wants the place sold, but Vance wants to turn it into an arts center. If that isn't enough to worry about, Vance finds a used condom wrapper in Chloe's bedroom and becomes obsessed with reining in his 16-year-old daughter, relinquishing his "cool dad" title. Like so many protagonists, Vance confides in his gay best friend, Campbell, though she has problems of her own: she has to convince her ex-husband she's not a lesbian so he doesn't demand custody of their son. Campbell's father, Luther, is a renowned music producer now making a record for Sadie, Vance's heavily tattooed, pot-smoking 23-year-old girlfriend (see, he is cool!). Chloe is furious her father has become so unreasonable, though she tries to ignore him and get on with her teenage life: writing songs, starting a support website for a persecuted Balkans band (akin to Pussy Riot), and figuring out her relationship with Deb, who has decided to move back to Alabama and share custody with Vance.
The comedy occasionally runs broad and bawdy and the references feel a bit forced (a disastrous Liz Phair concert; an extended conversation about Andrea Dworkin's Intercourse), but Curnutt throws in enough fragile humanity to make Vance and Chloe's mutual journey to adulthood worthwhile.